on Instagram @tiffanyandco
A golf ball rolls over the paint tube creating a Tiffany Blue Splatter to fly on a handbag. Instagram @tiffanyandco
We animated the wrapper to open and made the turning chocolate bar rig. Photographer Grant Cornett
Rig for Hershey Bar to break revealing almonds inside.
This wolf has ball & socket joints. For a rock music video.
car commercial
we made about 100 of these with simple armatures inside
Here’s Bill Clinton with the Golords which was a 3d animation series on SNL.
for SNL
Back when you needed models to morph something.
This guy could move.
This was for a 2001 inspired HBO station ID around the millennium. A bunch of monkeys were jumping round.
For a British commercial we created the radio controlled mechanics for 4 heads total.
Just a 12” rubber tape worm and oversized for Hulu
This is the enlarged head-only version of the previous one. No arms, but it did manage to drive a car on Hulu show “ Deadbeat”
For Hulu’s Deadbeat. This is Blob, a fetal ghost brother of the main character. He has a radio controlled eye and a hand operated mouth.
For SNL used in a Wes Anderson parody. I started it at 8:30 pm and finished at 9 am.
With radio control the legs and head moved independently. Legs moved in and out and the head poked out and looked up to the right or left. For Sony Go Pro.
When you pulled the string in back he said "Sounds about right to me" from an H & R Block commercial back when Willy was in the news for having a huge tax bill.
Resin and rubber over armature wire for Oreo Halloween ad campaign.
The frosting starts to morph with these resin models. For Oreo ad.
This is what the frosting sequence morphs into. Cookie wings and candy corn horns made in resin. For Oreo.
Oreo ad. Gummy worms hijack a vanilla cookie to make a tasty Halloween confection. The worms had a wire cast into them so they could be animated.
Oreo cookie job...cookie halves grow hair in this sequence eventually ending with a wolf face.
The plant sprouts these viscous cookie heads for Oreo Halloween campaign.
Wish I had a picture of the insides....the arms raised and hands deployed syringes that squirted liquid. For SNL comedy sketch
Made to NOT look like Peyton Manning on purpose for the commercial. Not a puppet technically.
for Noemi Bonazzi…creams and things rode on the platforms..all lock down able and controllable
Stop motion rig to control a bottle pivoting up from under the table…for Noemi Bonazzi - Tiffany’s Christmas shoot
on Instagram @tiffanyandco
A golf ball rolls over the paint tube creating a Tiffany Blue Splatter to fly on a handbag. Instagram @tiffanyandco
We animated the wrapper to open and made the turning chocolate bar rig. Photographer Grant Cornett
Rig for Hershey Bar to break revealing almonds inside.
This wolf has ball & socket joints. For a rock music video.
car commercial
we made about 100 of these with simple armatures inside
Here’s Bill Clinton with the Golords which was a 3d animation series on SNL.
for SNL
Back when you needed models to morph something.
This guy could move.
This was for a 2001 inspired HBO station ID around the millennium. A bunch of monkeys were jumping round.
For a British commercial we created the radio controlled mechanics for 4 heads total.
Just a 12” rubber tape worm and oversized for Hulu
This is the enlarged head-only version of the previous one. No arms, but it did manage to drive a car on Hulu show “ Deadbeat”
For Hulu’s Deadbeat. This is Blob, a fetal ghost brother of the main character. He has a radio controlled eye and a hand operated mouth.
For SNL used in a Wes Anderson parody. I started it at 8:30 pm and finished at 9 am.
With radio control the legs and head moved independently. Legs moved in and out and the head poked out and looked up to the right or left. For Sony Go Pro.
When you pulled the string in back he said "Sounds about right to me" from an H & R Block commercial back when Willy was in the news for having a huge tax bill.
Resin and rubber over armature wire for Oreo Halloween ad campaign.
The frosting starts to morph with these resin models. For Oreo ad.
This is what the frosting sequence morphs into. Cookie wings and candy corn horns made in resin. For Oreo.
Oreo ad. Gummy worms hijack a vanilla cookie to make a tasty Halloween confection. The worms had a wire cast into them so they could be animated.
Oreo cookie job...cookie halves grow hair in this sequence eventually ending with a wolf face.
The plant sprouts these viscous cookie heads for Oreo Halloween campaign.
Wish I had a picture of the insides....the arms raised and hands deployed syringes that squirted liquid. For SNL comedy sketch
Made to NOT look like Peyton Manning on purpose for the commercial. Not a puppet technically.
for Noemi Bonazzi…creams and things rode on the platforms..all lock down able and controllable
Stop motion rig to control a bottle pivoting up from under the table…for Noemi Bonazzi - Tiffany’s Christmas shoot